Only usable way for you guys, or the score guys? I don't think that can represent a whole user base and their needs. And I'm still not sure what you mean by that. Now, tell me what sounds best for you, and if I did mistake with some library and it can sound better, let me know.The "only usable way". Note that there are constant percussion and guitars from the same library in every single example, in some situations there was no way, or way too much work to fix levels of constant libraries with those new I was trying, still you can hear difference, especially using headphones. To explain what I mean in better way, simply listen to Spitfire Symphony Horns and Trumpets Together on max Dynamics: Again, as I said for MA1, sound is wide, there is no sharpness and you can't focus on any instrument there.
They are so lacking on volume, and plus lack on volume comes throught that the brass samples have no crisp, despite I used brass samples with maximal dynamics on them. I have feeling this is not build for such tracks at all, or maybe I dont know how to use those libraries well. Horns are not crisp, Trombones are not crisp. Lacks woodwinds.īrass marcato patches are useless.
Sounding similar to Sonuscore Orchestra, brass has more crisp, thats what I like, so I noticed it, going more adventuristic is always cool in orchestral tracks, at least I think so. Too huge, too huge, easily track going to sound muddy, patches are to loud, too much reverb, and none instrument will reach space in front of your headphones, rather it goes wide, and you can not decide what is the leading instrument. Sound is ok, hard to go huge, missing many articulations, in this case marcato should go on horns (brass). Sound not too huge, but huge enough to get an epic sounding track, missing spiccato, still fast runs on violins etc strings are pretty good, woodwinds are very bad, and its very hard to give them any solo.
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